THE FOLDING
KAMARET 7x5
Blair Camera Company, Boston, Massachusetts for
European Blair Camera Company, Ltd.,
London 1894 - 1896?
Photos
courtesy of Gerjo Quicken
Blair's Folding
Kamaret 7x5 was introduced in
early 1894, as the U.K. equivalent of Blair's
"The 400" in the United States.
Based on the "Made in America" stamping in the leather
covering and the ivoroid focusing scales marked "Blair Camera Co., Boston,
Mass., U.S.A.", the camera is believed to have been manufactured in the
United States for marketing through Thomas H. Blair's newly formed European Blair Camera Company, Ltd.,
London. Unlike its American
counterpart, it was also available in 5x7 (or 7x5 in European parlance). It's
believed that Eastman's Flat Folding
Kodak, also marketed exclusively in the U.K., was brought out to compete
with the Folding Kamaret:
Flat Folding
Kodak
Folding Kamaret
7x5
The Folding Kamaret was announced in The Photogram, Volume 1, No. 1 for 1894, under their
"Trade" section outlining the introduction of new products as seen in
the excerpt below:
Excerpt from The Photogram,
1894
The Folding
Kamaret 7x5 example shown here is equipped with what is thought to be Blair's Two-Way Shutter. This same shutter was also depicted in an
engraving for Blair's U.K. version of the Folding Hawk-Eye:
Engraving from The Photogram, 1894, of
Blair's Folding Hawk-Eye with a Blair Two-Way Shutter (believed)
Constructed from aluminum, the shutter is equipped with Gundlach's Rapid Rectigraphic Lens, indicated
by the December 9, 1890 date found on the lens' outer rim. This date refers to Patent No. 442,251
granted to Ernst Gundlach of Rochester, New York for the lens' rapid
rectilinear design, which corrected for and reduced spherical and chromatic aberration
to an imperceptible minimum.
The shutter's "Two-Way" name is believed to be
derived from its cycling action. Like those shutters found on Blair's Hawk-Eye (detective style) and Folding Hawk-Eye Cameras, this
shutter's tension spring is moved in one direction, being placed in one of
three notches that correspond to increasingly faster speeds as the tension
increases. After the shutter is released
and the blade has travelled in one direction, the tension spring is now moved
in the opposite direction being set for the next exposure. Released again, the
blade now travels back in the opposite direction. The shutter has a rotary aperture with five
settings, adjusted from an opening on the shutter casing's rear.
Blair's Two-Way Shutter
(believed)
It's interesting in that for the larger 7x5 format, Blair
incorporated the Folding Hawk-Eye's (or very similar) lens standard as opposed
to the box-style lens standard seen on Blair's "The 400". The nickel
plating is also a total departure from the lacquered brass finishes seen on
Blair's American cameras. It would be
interesting to know if hardware on the 5x4 version of the Folding Kamaret was
also nickel-finished, and what style of lens standard was used.
It hasn't been determined when production of the Folding
Kamaret ceased, but Blair's "The 400" continued to be offered in the
United States through 1897. It no longer appeared in Blair's 1898 catalogues,
or in E. & H.T. Anthony's catalogues for 1898, Anthony having acted as a Trade
Agent for Blair from the early 1890's.
This is the only example of Blair's Folding Kamaret that I have ever seen, and so far, no
catalogue references showing either the Folding Kamaret or Blair's Two-Way Shutter
have been found. It stands to reason that being offered in the U.K., few if any
would ever be seen here in the U.S. Like
Blair's "The 400", production was very low, and this is reflected in
the probable few Folding Kamarets that survive in the U.K. As Blair products from the 1890's go, both
the camera and its shutter are among the rarest, most desirable and most
difficult of Blair's products to acquire.
My
Sincere Thanks and Appreciation to Gerjo Quicken, for sharing this Folding Kamaret 7x5 (and Flat Folding
Kodak!) from his collection, and for his perspective on Blair's Two-Way Shutter
and its operation.