Kodel Electric & Manufacturing Co., Cincinnati, Ohio        1930 - 1931



                                           HoMovie Camera with original box




    HoMovie Projector located at the George Eastman Museum's Dryden Theatre


                                        One Minute Kemco HoMovie Film Tin        


The Kemco HoMovie Camera and Projector system was manufactured and introduced in 1930 by the Kodel Electric & Manufacturing Company, of Cincinnati, Ohio.  The Kemco name was derived from the capital first letters in the company's name (Kodel Electric & Manufacturing Company).   The new HoMovie camera and projector's coming was announced in an article appearing in The American Cinematographer, November 1929.  The article went on to state that the basic idea for the camera was conceived in July, 1928, and that the new camera had been reviewed by motion picture and camera enthusiasts some six months earlier (about May 1929).


The camera's Wollensak F3.5 Cine-Velostigmat fixed-focus lens was specifically manufactured and configured for the Kemco, and was available on their Model E ($90).  A faster f1.5 lens ($75) was available for purchase separately, or was standard equipment on the more expensive Model G ($135).  The camera employed a rather sophisticated movement that was termed "boustrophedonic", through which the vertical and horizontal alignment of the film gate would cyclically place 4 frames within the same space as a standard 16mm frame.  As such, this feature was touted as reducing operating costs by one-fourth.  In reality though, with the high cost of the Kemco Projector and the competitive costs of Cine-Kodak cameras and projectors of the period, this cost reduction was never realized.  The boustrophedonic name is derived from the Greek word "boustrophedon" for the pattern that oxen make while plowing.  Its meaning also refers to a bi-directional text found in ancient Greek manuscripts, wherein every other line of writing is flipped or reversed.  The system was reportedly invented by H.B. Ridge and Clarence E. Ogden, an engineer.  While Ogden held over twenty electrical related patents, research thus far has not yielded any patents for either Ridge or Ogden covering the Homovie system.


This unique movement was apparently the only one ever manufactured commercially for a 16mm movie camera, and the system required the use of Kemco's companion projector, utilizing the same movement to project the film.  Although the camera's outer casing is constructed of Bakelite, its solid internal mechanism resulted in a camera weighing just slightly more than Eastman's Cine-Kodak Model B of the same era.  Owing to the camera's ($90) and projector's ($150) costs when new, and the subsequent introduction of Kodak's new 8mm format in July of 1932, the Kemco HoMovie system's production lasted for only a few years.   It has been said that probably no more than 400 cameras were ever built, and judging by the few examples found today, this is likely a reasonable estimate.


Constructed of an undetermined cast metal and painted to match the camera's bakelite tone, the Kemco HoMovie Projector was equipped with a 50 volt-250 watt lamp.  Flipping a lever changed the drive mechanism and condenser focus, providing the capability to project standard 16mm film.  One would think that, if you bought the HoMovie Camera, you would have to buy the HoMovie Projector as well to be able to show your films.  Although logical, it doesn't seem to follow considering that way fewer HoMovie Projectors exist than HoMovie Cameras, making them quite rare.  I am aware of at least four examples:  three in private collections and another at the George Eastman Museum shown above.  Noted amateur cine collector and historian Alan Katelle, was also aware of another outfit (camera and projector), in addition to the outfit in his own collection which was donated to Northeast Historic Film of Bucksport, Maine.


HoMovie Cameras are quite scarce, but seen periodically.  I'm confident that a few more HoMovie Projectors exist in collections, and suspect there are several sitting in the backs of garages, closets, attics or barns just waiting to be discovered.




Ads from Movie Makers Magazine, October 1931 the ads no longer appear in Movie Makers Magazine